Full Length Plays
if it’s sad, i don’t want to see it
Full-length, 1 hr, 40 min
3M, 3W
Setting: New York, present day
- Ma-Yi Theater's LabFest II reading, Dir. Linsay Firman
- 2G Workshop, Dir. May Adrales
- Eugene O'Neill Playwrights Conference 2009 semi-finalist
*Read short excerpt of if it's sad, i don't want to see it
BARRIERS
Full-length, 90 minutes
4M, 2W
Setting: New Jersey, 2002
- Produced at HERE Arts Center, NYC, Dir. Ashok Sinha
- Co-Produced with Asian American Theater Company, SF & LA, Dir. Ravi Kapoor
- Readings at Rasik (Toronto), Asian American Arts Centre (Philadelphia), and Georgetown (DC)
- Published with Alexander Street Press
“… the pertinence and poignancy of its subject in the current context is indisputable. If the play’s idea is to make a plaintive case on behalf of a community, it is a deserving case, a deserving plaint. You leave the theater sympathetic to fellow Americans who don’t feel much fellowship at the moment.” –New York Times
“Mirza has chosen her medium well -- Barriers reaches out and grabs us -- wrenches us-- to teach us something valuable about the state of the world.” –NYTheatre.com
*Read short excerpt of Barriers
RADIO DIARIES OF HANK, YANK AND PRANK
Full-length, 1 hr, 40min
3M, 1W
Setting: New Jersey, present day
- 2007 John Golden Award
- Columbia Stages Reading, Dir. Lou Jacob
- DR2 Presentation, Dir. Eduardo Machado
THE GOOD MUSLIM
Full-length, 90 minutes
2W
Setting: Queens, New York, present day
An atheist clubkid, Nora, and a sheltered Muslim girl form an unlikely friendship. When circumstances lead them to becoming roommates, the personal becomes political.
JUST AIR
Full-length, 90 minutes
1M, 2W
Setting: The Airport of Americas
A homeless, hasbeen child pop star who has taken up residence in an airport and falls in love with the security guard. But when the security guard takes under his wing the extremely sheltered only child of a Bollywood superstar couple, a love triangle turns into international headlines.
*Be sure to check out my short plays as well.

